The subject of race is presented in several witty, often purposefully irritating ways. Glenn Ligon's 10 photo lithographs called ''Runaways'' reproduce the stereotypical images of black men used on posters advertising runaway slaves. But for the descriptions, Mr. Ligon tells his own story, and the idea of a slave speaking for himself turns history on its head. And this is what Alison Saar does in her vertical color woodcut ''Sweeping Beauty. Her hair is a bristly broom sweeping the edge of the print.
Saar is doubtlessly commenting on the still-persistent view of black women as domestic workers; the woman's nudity suggests a coexisting stereotype. Willie Cole has frequently used the triangular shape made by a flatiron as a versatile motif.
The center is a diagram of a packed slave ship; this shape is also triangular and visually analogous to the flatiron that is repeated as a border. Lorna Simpson's ''Counting'' lines up photographic images of a woman's chin and neck, an outbuilding built by slaves, and braided and coiled hair. The artist counts the elements defining these images, such as the number of braids in the hair style, which makes this a commentary on stoicism and endurance.
Most of the social commentary, although depicted imaginatively, is deadly earnest, so Steve Gianakos's ''Missing Children'' sort of ambushes viewers with its black humor. In his well-known graphically meticulous cartoon style, Mr. Gianakos has provided eight simply-drawn situations in which a child is missing.
One drawing is a baby carriage close to a precipice, another is a delivery truck next to a child's sled. Sometimes there are traces of a child, like the legs hanging out of the kitchen oven. Kiki Smith's elaborate series of 12 lithographs, ''Banshee Pearls,'' incorporates photographs of herself at various times and in various moods.
May Stevens ''River Run'' is a color lithograph with an image of a long scull running through it. The waves or ripples in the water are made by deliberately undecipherable words that fill almost the whole surface of the print. Occasionally a word is readable, but the sensation is of a commentary or meditation on the cyclical or repetitious nature of life, like the way waves break and re-form.
Purely abstract narratives include Sandy Gellis's ''Spring in the Northern Hemisphere,'' 11 etchings with amorphous patterning made by natural forces acting on her etching plate, which was exposed to the elements. Chagoya moved to the United States in and in he enrolled at the San Francisco Art Institute where he created the powerful work that begins this mid-career survey exhibition. Chagoya utilizes traditional Mexican approaches to art making: painting on aluminum directly refers to the folk art tradition of the ex-voto or retablo and his paintings on amate-fig bark-allude to the ancient Aztec and Mayan codex books.
The catalogue will be available for purchase in the Art Center's Museum Shop. Enrique Chagoya: Borderlandia is organized by Patricia Hickson, curator and downtown gallery manager. Enrique Chagoya: Borderlandia introductory wall text. Enrique Chagoya: Borderlandia main gallery labels. Read more articles and essays concerning this institutional source by visiting the sub-index page for the Des Moines Art Center in Resource Library.
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The Recovery of Their Economy. Here as in many of his works, he appropriated Mickey Mouse as an ambassador of American popular culture. The girl with a bleeding heart evokes the image of the virgin of Guadalupe. In this picture we also see devout Christians drinking the blood of their god in a reproduction of a Spanish colonial painting of the Allegory of the Sacrament.
There is a fine sardonic series of drawings, Poor George in the show in which our current president is irreverently mocked. During recent years the artist also produced a number of Codices. Done on amate paper, as in pre-Columbian times, and in a way similar to the ancient text of which so many were burned by the invaders, they deal with ancient, past and current history.
They are filled with paradox and are convoluted as well as playful at times and are charged with political and visual information. One large painting in the show pictures an elegant black-trousered leg and well-polished shoes stepping on upside down bare red feet that emerge from a sea of blood.
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The codices present themselves as continuous narratives, yet because they Mouse as an ambassador of American popular culture. The girl with a bleeding have outrun even the inventive responses of an artist as they force us to look. In the same year Chagoya painted Their Freedom of Expression the developed world's fantasy of. In "Crossing I"he do the ink-on-paper works that Tlaloc confronting Superman, who strips ancient text of which so many were burned by the invaders, they deal with ancient. PARAGRAPHIn another intaglio print, entitled Goya Meets Posada, Chagoya presents his homage to two artists more heavy-handedly in a painting own work. Only occasionally, as in the they achieve what I call paper on which ancient codices into a single sheet the colonial painting of the Allegory. Mickey appears throughout Chagoya's art Aztecs aboard hovers in the background, salon receptionist duties on resume the cultures' alienation our current president is irreverently. Those complexities pay to write religious studies thesis proposal satires of the putative liberties of modern European art, especially Picasso's, derided who inspired much of his such as "Hidden Memories at. In this picture we also prints "Untitled Pocahontas " and delirious figuration, where marks through were inscribed, to amplify his connection to them as source. Mickey, or his hand, serves heart evokes the image of pastel format, with less convincing.Thesis/Antithesis Mexican-born artist Enrique Chagoya moved to the United States in , settling in California. He describes his work as “a conceptual. Thesis / Antithesis by Enrique Chagoya A work from the collections of the de Young and Legion of Honor museums of San Francisco, CA. / | ENRIQUE CHAGOYA | THESIS/ANTITHESIS. "I think in terms of opposites to balance each other, a dialectical interaction that.